mary j. saran

Digital manipulations of house paintings by Christie Chew-Wallace. Inspiration stems from finding beauty in apocalyptic urban multiverse environments, unknown structures of civilization, kaleidoscopes and rorschach tests. Each one reflects a dimension into an unknown world based off of original 2D works on canvas. 

Collaboration - ccwallace.squarespace.com

Digital manipulations of "White Crater" (Mary J. Saran) a 3D sculptural object painting. Combined with "High Femme #1" (Devon Sinead Thompson) a collage 2D artwork. Inspiration stems from aliens, the unknown multiverse, colonization, syfy femme creatures, kaleidoscopes and rorschach tests. 

Collaboration - devonsinead.com

Time and space, endless patterns of the spectrum. The following are digital manipulations from my mixed media portfolio which can be found here. Future exhibitions will explore the discourse between these digital appropriations and the real art objects - blurring the lines between dimensions. 

marysaran.virb.com

Images of the self - appropriated to appeal to the digital identity of humans. 

Interconnections between chaos theory and and nonlinear systems. Deconstructed appropriations based off 2-D collage and acrylic paint work done with Frederick Nitsch from the Hubble Transmitted Landscape Series marysaran.virb.com/collaborations

Collaboration - fwnitsch.wixsite.com/home

Text based overlays mixed with aesthetic reproductions of my 2-D and 3-D artworks. Semi-transparent messages and words that raise colorful awareness to the distortions of these topics. 

Images appropriated from Escape Earth & Circle Continuum Portfolios marysaran.virb.com